CONCERTS
Ensemble Liaison
8 August
Ensemble Liaison and Friends
Hanson Dyer Hall, Ian Potter Southbank Centre
8 August, 7pm
43 Sturt St Southbank
Frédéric Chopin
Sonata No.2 Op.35
Franz Schubert
Octet in F, D.803
Ensemble Liaison expands its forces to perform Schubert’s monumental Octet in F Major. In this second concert of 2024, they will be joined by special guests Dale Barltrop, Carla Blackwood, Jill Griffiths, Lyndon Watts, and talented students from the Melbourne Conservatorium of Music. Inspired by Beethoven’s immensely popular Septet, experience Schubert’s transcendent melodies, heard across the colourful array of string and wind instruments in an exciting large-scale chamber music form.
Opening the concert, Ensemble Liaison’s own, Timothy Young will feature in Chopin’s iconic and enigmatic Piano Sonata No.2. Considered one of the great masterworks of the Romantic period, the third movement is the world’s most famous funeral march, a work still used widely today in celebration of life passed.
Australian Haydn Ensemble
21-29 September
Australian Haydn Ensemble: Mozart’s Horn
performed on historical instruments
21 September, 7pm: Orange Civic Theatre
24 September, 7pm: Sydney Opera House, Utzon Room
26 September, 7pm: Wesley Music Centre, Forrest, Canberra
27 September, 7pm: Berry Uniting Church Hall, Berry
28 September, 3pm: Robertson School of Arts, Southern Highlands
29 September, 2pm: Rathmines Theatre, Lake Macquarie
Programme
HAUFF
Horn Quintet in E flat major
MOZART
Allegro from String Quintet in G minor K. 516
MOZART
Horn Quintet in E flat major K. 407
Interval
MICHAEL HAYDN
Romance in A flat major for Horn and String Quartet MH806 (arr. from Mozart’s Horn Concerto)
MOZART
Symphony No. 41 K. 551 'Jupiter' arr. Peter Lichtenthal
Mozart loved the horn, and the finest player of the day, Joseph Leutgeb, was an old friend of the family. Mozart wrote what would become one of the most enduringly popular horn concertos of all time for his friend. Characterised as a “little love duet” between horn and violin, this work is a joyous expression of their friendship.
The program contains an even more virtuosic Quintet by Mozart’s Dutch contemporary Wilhelm Hauff, and includes the Romance in A major, an arrangement of one of Mozart’s Concerto movements, most likely by his dear and often penniless friend Michael Haydn.
AHE balances this bright period instrument cornucopia with perhaps the most emotionally troubled work that Mozart ever wrote: the magnificent String Quintet in G minor, a rare dark utterance from a steadfastly undepressed artist.
Port Fairy Spring Music Festival
11-13 October
2024 Spring Music Festival “Cosmos”
Featured Artist in various concerts
Port Fairy, Victoria
11 October, 8pm: A Musical Meteor Shower
Luke Styles A Shot at the Stars for Solo Horn
11 October, 10am: Interstellaire
Olivier Messiaen Appel Interstellaire
12 October, 11.30am: Shards of Light
Quercus Trio perform the world premiere of Melody Eotvos Shivelight
12 October, 8pm: Beyond the Sunset
Mozart Horn Quintet K. 407
13 October, 3.30pm: Closing Gala: The Planets
Andrew Ford, A Martian Sends a Postcard Home
Gustav Holst, The Planets Op 32, arr. Cassomenos
Australia Ensemble, UNSW 2024, Concert 4
Sir John Clancy Auditorium, UNSW, Sydney
Beethoven Septet in Eflat Opus 20
Australia Ensemble
19 October, 7.30pm
Mozart’s Jupiter with Australian Brandenburg Orchestra
Principal Classical Horn with Australian Brandenburg Ochestra
Mozart Piano Concert No. 23 and Mozart Symphony No. 41 “Jupiter”
Concerts in Sydney 29 October - 2 November
Concerts in Melbourne 24 October - 27 October
Australian Bandenburg Orchestra
24 October - 2 November
Pinchgut Opera
21-27 November
Handel Julius Caesar with Pinchgut Opera
21-27 November
City Recital Hall Angel Place
One of the most famous Baroque operas of all time, Julius Caesar is an irresistible blend of passion and intrigue, the perfect vehicle for Handel’s dramatic genius. Celebrated Australian director Neil Armfield makes his return to the Pinchgut stage, with a spectacular cast and creative team to bring a fresh perspective to Handel’s masterpiece.